We offer two different methods to make fineart prints:
Photographic C-type prints are made by exposing light onto colour paper, which is then developed RA-4 process and washed using traditional photographic techniques. Exposed by a high resolution digital DURST Lambda printer.
- Life expectancy: up to 100 years on display – 200 years in dark storage
- Vivid colours, deep black
- Natural-looking skin tones
- Max. width 127cm
Archival C-Type Print - What does Archival mean?
To be truly archival a C-Type print needs to be washed thoroughly with warm water to ensure that all the bleach used when processing is removed. This is why mini-lab prints cannot be classed as archival as a stabiliser is used instead of washing.
Kodak Professional Endura Matt
Traditional photo matt, not as deep matt as you would get with Inkjet matt papers.
Kodak Professional Endura Glossy
One of a kind glossy paper that you don’t find from the inkjet paper range.
Kodak Professional Endura backlit display material
Clear and transparency materials with state-of-the-art emulsion technology
Fujicolor CA digital paper Metallic
Similar to Kodak metallic but this one works with the Silisec®-prints
Ideal file: RGB / 8-bit. / 200-400 ppi / TIFF
Giclée prints ( Epson inkjet )
Giclée is the process of making fine art prints from a digital source using ink-jet printing.
We use Epson Ultrachrome HDR inks and a range of high quality papers.
Dialab is the only Hahnemühle certified studio in Finland – More info
- Life expectancy: up to 200 years – 400 years with some Digigraphie materials.
- HDR-inks reproduce 98% of the AdobeRGB profile
Archival Giclee Print - What does Archival mean?
We use only the highest quality acid-free Giclee papers, and genuine Epson pigment inks.
The Wilhelm Institute and Aardenburg Imaging ranked Epson Inks in the top three of all archival inks currently in production.
Archival Hahnemühle fine art papers.
Hahnemühle Photo rag® 188/308 gsm. / 100% cotton / white / 111 cm
The fine, smooth surface and feel of Photo Rag make this paper very versatile and it is ideal for printing both black and white and colour photographs and art reproductions with impressive pictorial depth.
Hahnemühle Photo Rag® Ultra Smooth, 305 gsm / 100% cotton / white / 162 cm
With its extra smooth surface Photo Rag Ultra Smooth is particularly interesting for users who want proven Photo Rag quality but with less texture and a brighter white point.
Hahnemühle Bamboo 290 gsm. / 90% Bamboo, 10% cotton / natural white / 111 cm
Bamboo represents spirituality, naturalness and resource-saving paper production. Particularly suitable for warm-toned colour and monochrome prints, Bamboo really highlights the sensuality of images
Hahnemühle William Turner 310 gsm. / 100% cotton / white / 111 cm
With its matt watercolour texture this paper is a genuine mould-made paper in both look and feel. William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Hahnemühle German Etching 310 gsm / 100% α-Cellulose / white / 111 cm
This heavyweight etching board is velvety smooth with a fine surface texture. German Etching is one of the most popular media worldwide for artwork and photography
Hahnemühle Rice Paper 100 gsm. / 100% α-Cellulose / white / 111 cm
This laid-finished paper is designed for fine art reproductions of Asian ink paintings (Sumi-e). It gives each print the appearance and significance of an original ink drawing.
Hahnemühle FineArt Baryta, 325 gsm / 100% α-Cellulose / bright white / 152 cm
FineArt Baryta is a paper that sets the benchmark for high colour depth, large colour gamut and image definition. Using barium sulphate in the premium inkjet coating ensures the typical gloss that makes this paper a genuine replacement for traditional Baryta papers from analogue laboratories.
Hahnemühle Matt Fibre 200gsm / 111 cm
Featuring a warm tone, a smooth surface and the characteristic surface feel of an artist paper
Hahnemühle Studio Enhanced Matt 210gsm / 111 cm NEW !
100% Cellulose, bright white, matt
Japanese Kozo Paper Thin, designed by Gary Wornell 34gsm / 61cm
Traditional Kozo paper made from 80% Mulberry and 20% Abacá .
The long fibers in this paper give exceptional strength to an otherwise very thin media. This Signature Worthy paper from Epson has remarkable colour depth and a look and feel that is more like a hand made paper than anything else on the market today - it has been described by users as 'ink jet paper with soul'.
Ideal for fine photographic prints, graphics and illustrations, Japanese Kozo can also be used with a wide variety of mounting and display options that make it one of the most versatile natural fiber papers available.
The paper has been designed in Finland by the Canadian artist photographer Gary Wornell who has been resident here since the early 1990's
Hahnemühle Luster 260 gsm / pearl surface / 111cm
This semi-gloss PE paper has micro-porous coating. Photo Luster features a higher stability than most of the inkjet photo papers and guarantees long-lasting fade resistant prints.
Hahnemühle Glossy 260 gsm / 111cm
This high-gloss PE paper has micro-porous coating. Photo Luster features a higher stability than most of the inkjet photo papers and guarantees long-lasting fade resistant prints.
Dialab Satin 190 gsm / 152 cm
Satin paper that suit well under laminate or glass
Dialab campaign Satin 190 gsm / 152 cm
Thin satin paper that is great for posters and advertising use.
Dialab DW Matt 180 gsm / 162 cm
White matt paper
Dialab DN Backlit display film / 152 cm
Backlight material that work also witout light
Ideal file: RGB / 16-bit. / 240-360 ppi / TIF
We also make leatherback Giclée books / portfolios.